{"id":1516,"date":"2023-03-09T11:54:33","date_gmt":"2023-03-09T10:54:33","guid":{"rendered":"https:\/\/recto-vrso.com\/lombre\/"},"modified":"2023-03-20T16:52:03","modified_gmt":"2023-03-20T15:52:03","slug":"lombre","status":"publish","type":"page","link":"https:\/\/recto-vrso.com\/en\/lombre\/","title":{"rendered":"L’ombre"},"content":{"rendered":"\n
>\n
\n
\n

\n L’ombre <\/h1>\n

\n <\/p>\n <\/div>\n <\/div>\n<\/section>\n

<\/div>\n\n
\"\"<\/figure>
\n

L’ombre<\/em><\/strong><\/p>\n\n\n\n

Text<\/strong>: Hans Christian Andersen<\/p>\n\n\n\n

Translation<\/strong>: David Soldi<\/p>\n\n\n\n

Game<\/strong>: Eric Jakobiak<\/p>\n\n\n\n

Design, staging and digital programming<\/strong> : Georges Gagner\u00e9<\/p>\n\n\n\n

Musical composition<\/strong> : Tom Mays<\/p>\n\n\n\n

Digital programming assistant <\/strong>: Anastasiia Ternova<\/p>\n\n\n\n

Movement capture<\/strong>: Remy Gorski<\/p>\n\n\n\n

Production <\/strong>: didascalie.net<\/p>\n\n\n\n

Co-production <\/strong>: Th\u00e9\u00e2tre na Zhukah (Kharvive-Ukraine) and Mairie of Villiers-Le-Bel<\/p>\n<\/div><\/div>\n\n

<\/div>\n\n
\n

The shadow is a figure that has fascinated humanity since the dawn of time. It is considered to be the origin of the invention of painting and occupies an important place in the psychological development of children, who only understand its principles from the age of 3-4. Attached to each human figure, while remaining fleeting and capricious, the shadow is a mysterious double that has a strong power to solicit the imagination. This led us to use digital shadows to create a theatrical resonance cage for Andersen’s famous tale.<\/p>\n\n\n\n

Our digital shadows have a flat human silhouette shape and we call them avatar shadows. Leaving its status of traditional shadow projected on a screen, the ombravatar becomes a real character evolving in 3D. The actor in flesh and blood plays with these entities which evolve in a virtual space projected on a screen at the back of the stage. The actions of the ombravatars are pre-recorded beforehand with a motion capture device, but are manipulated by the actor in real time like puppets, which allows us to keep the essence of the theater: a living interaction between the participants of the show.<\/p>\n<\/div>

\"\"<\/figure><\/div>\n\n
<\/div>\n\n

DURING RECTO VRSO 2023<\/h2>\n\n
\n
\n
Show<\/h5>\n\n\n\n

Check out this one-hour show in the Forty auditorium on Saturday at 5pm. Registration is free and subject to availability.<\/p>\n\n\n\n

Duration<\/strong>: 1h<\/p>\n\n\n\n

Number of attendees<\/strong> : 150<\/p>\n<\/div>\n<\/div>\n\n

<\/div>\n\n
\n
\n
\"\"
From 2000 to 2009, Georges Gagner\u00e9<\/strong> He has created 6 plays, based on adaptations of authors such as Georges Perec, Jacques Roubaud, or L\u00e9onid Andre\u00efev, at the Th\u00e9\u00e2tre National de Strasbourg, in the Centres Dramatiques Nationaux de Saint-Denis and Dijon, and at La Filature, sc\u00e8ne nationale de Mulhouse (of which he was an associate artist from 2003 to 2009). From 2009 onwards, he has devoted himself to research-creation projects, in collaboration with several research laboratories, which allow him to explore in greater depth the relationship between the real and the virtual worlds. He works on the theme of shadow and augmented reality in the project Toute La Lumi\u00e8re Sur L’Ombre (2009-11, with Christian Jacquemin, LIMSI-CNRS laboratory), on telepresence with the project T\u00e9l\u00e9lectures (2012-13, with Alexandre Simonet, M\u00e9diath\u00e8que de N\u00eemes), on the direction of virtual actors with Variations sur ” La Ronde ” (2014-15, with R\u00e9mi Ronfard, IMAGINE-INRIA team), on the interaction between physical actors and avatars with ParOral (2015-16, with Myriam DesainteCatherine, Laboratoire Bordelais de Recherche en Informatique), then La Sc\u00e8ne augment\u00e9e (2016-18, with C\u00e9dric Plessiet, Images Num\u00e9riques et R\u00e9alit\u00e9 Virtuelle (INREV) team of the University of Paris 8). He is co-founder and collaborator of the structure didascalie.net since 2004, and lecturer at the University of Paris 8 in the team INREV.<\/strong><\/strong><\/figcaption><\/figure>\n\n\n\n
\n
WEBSITE<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

L’ombre Text: Hans Christian Andersen Translation: David Soldi Game: Eric Jakobiak Design, staging and digital programming : Georges Gagner\u00e9 Musical composition : Tom Mays Digital programming assistant : Anastasiia Ternova […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"content-type":"","footnotes":""},"class_list":["post-1516","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nL'ombre - Recto VRso<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/recto-vrso.com\/en\/lombre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'ombre - Recto VRso\" \/>\n<meta property=\"og:description\" content=\"L’ombre Text: Hans Christian Andersen Translation: David Soldi Game: Eric Jakobiak Design, staging and digital programming : Georges Gagner\u00e9 Musical composition : Tom Mays Digital programming assistant : Anastasiia Ternova […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/recto-vrso.com\/en\/lombre\/\" \/>\n<meta property=\"og:site_name\" content=\"Recto VRso\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-20T15:52:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/recto-vrso.com\/en\/lombre\/\",\"url\":\"https:\/\/recto-vrso.com\/en\/lombre\/\",\"name\":\"L'ombre - Recto VRso\",\"isPartOf\":{\"@id\":\"https:\/\/recto-vrso.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/recto-vrso.com\/en\/lombre\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/recto-vrso.com\/en\/lombre\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png\",\"datePublished\":\"2023-03-09T10:54:33+00:00\",\"dateModified\":\"2023-03-20T15:52:03+00:00\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/recto-vrso.com\/en\/lombre\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/recto-vrso.com\/en\/lombre\/#primaryimage\",\"url\":\"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png\",\"contentUrl\":\"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png\"},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/recto-vrso.com\/#website\",\"url\":\"https:\/\/recto-vrso.com\/\",\"name\":\"Recto VRso\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/recto-vrso.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"L'ombre - Recto VRso","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/recto-vrso.com\/en\/lombre\/","og_locale":"en_US","og_type":"article","og_title":"L'ombre - Recto VRso","og_description":"L’ombre Text: Hans Christian Andersen Translation: David Soldi Game: Eric Jakobiak Design, staging and digital programming : Georges Gagner\u00e9 Musical composition : Tom Mays Digital programming assistant : Anastasiia Ternova […]","og_url":"https:\/\/recto-vrso.com\/en\/lombre\/","og_site_name":"Recto VRso","article_modified_time":"2023-03-20T15:52:03+00:00","og_image":[{"url":"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/recto-vrso.com\/en\/lombre\/","url":"https:\/\/recto-vrso.com\/en\/lombre\/","name":"L'ombre - Recto VRso","isPartOf":{"@id":"https:\/\/recto-vrso.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/recto-vrso.com\/en\/lombre\/#primaryimage"},"image":{"@id":"https:\/\/recto-vrso.com\/en\/lombre\/#primaryimage"},"thumbnailUrl":"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png","datePublished":"2023-03-09T10:54:33+00:00","dateModified":"2023-03-20T15:52:03+00:00","inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/recto-vrso.com\/en\/lombre\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/recto-vrso.com\/en\/lombre\/#primaryimage","url":"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png","contentUrl":"https:\/\/recto-vrso.com\/wp-content\/uploads\/sites\/2\/2023\/03\/191126Ombre01-copie-1.png"},{"@type":"WebSite","@id":"https:\/\/recto-vrso.com\/#website","url":"https:\/\/recto-vrso.com\/","name":"Recto VRso","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/recto-vrso.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/pages\/1516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/comments?post=1516"}],"version-history":[{"count":3,"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/pages\/1516\/revisions"}],"predecessor-version":[{"id":1519,"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/pages\/1516\/revisions\/1519"}],"wp:attachment":[{"href":"https:\/\/recto-vrso.com\/en\/wp-json\/wp\/v2\/media?parent=1516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}